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A dream clinic

2014 October 21

The brand with the three stripes, Adidas, brought some excitement to the tennis courts at Raffles Institution (RI) and also to the grandstand at the MOE Co-Curricular Activities Branch (CCAB), when three of their sponsored WTA superstars, made an appearance on Friday. The three, Simona Halep, Ana Ivanovic and Caroline Wozniacki, in Singapore for the WTA Finals, graced the courts to conduct what must have been a dream Adidas tennis clinic for students from the schools from the Raffles family. Simona Halep also made a surprise appearance at the CCAB where tennis players from Methodist Girls School were in training.

Besides taking questions about training regimes, pre-match routines, diet, lucky charms and how they were coping with the Singapore weather, the very glamourous tennis superstars posed some questions of their own – on posing a question on what food she should try whilst in Singapore, the almost unanimous recommendation made at RI to Ana Ivanovic was the durian … I wonder if she would be brave enough to try it ….

Ana Ivanovic and Simona Halep at Raffles Institution. Ana Ivanovic and Simona Halep at Raffles Institution.

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Soo Kui Jen introducing Simona Halep, Caroline Wozniacki, Ana Ivanovic at RI. Soo Kui Jen introducing Simona Halep, Caroline Wozniacki, Ana Ivanovic at RI.

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RGS tennis players waiting in anticipation. RGS tennis players waiting in anticipation.

Simona Halep. at CCAB Simona Halep. taking questions at CCAB

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Simona Halep taking a wefie with the MGS girls. Simona Halep taking a wefie with the MGS girls.


The author also blogs on The Long and Winding Road.

The burning boat

2014 October 15

One evening a year, a burning boat lights up the dark and forgotten shores of Kampong Wak Hassan. The fire burns quickly, its flames completely consuming the boat ’s paper shell and its wooden frame in a matter of minutes, sending nine divine beings on a journey to their celestial abodes. The journey brings the beings’ annual nine-day sojourn into the human world to a close and is one that follows a ritual that brings much colour to the shores of Singapore.

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It isn’t only at Kampong Wak Hassan that we see this send-off in Singapore, it is also seen at several waterfront locations across the island. The boat burning act comes at the end of the Kew Ong Yah or Jiu Wang Ye (九王爷) or the Nine Emperor Gods festival, a festival that commemorates the visit of the nine stellar gods – the nine stars of the Big Dipper (seven visible and two invisible). The festival begins with the gods being invited to earth and ends with their journey home on the ninth day.

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The Taoist festival is celebrated with much fervour by the devotees of the Nine Emperor Gods, especially so in southern Chinese immigrant communities in several parts of Thailand and Malaysia. Devotees observe a strict vegetarian diet throughout the festival, which falls on the first nine days of the ninth month of the Chinese lunar calendar, starting on the festival’s eve.  It would once have been common during the festival to observe mediums, many sporting piercings through various parts of the face and on the body, going into a trance. What I especially recall from my younger days was the sight of mediums swords in hand performing acts of self-flagellation, as well as hearing the sounds of cracking whips, all of which over the years seem to have become less common.

A medium sporting a peircing – seen in 1979 (source: http://www.nas.gov.sg/archivesonline).

More information on the festival itself is to be found in a Singapore Infopedia article. The article identifies twelve temples in Singapore at which the festival is observed, one of which is the Tou Mu Kung temple at Upper Serangoon Road. Thought to be the first in Singapore at which the festival was celebrated, the temple’s festival observance culminates these days in a send-off for the gods at Pulau Punggol Timor, a man-made island off the much altered Seletar coastline that is accompanied by much pomp and ceremony.

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The ceremony at Wak Hassan, is that celebrated by the Kew Ong Yah temple, which has its origins in Chong Pang Village - it was originally located just stone’s throw away from the landmark Sultan Theatre. Now housed within the Chong Pang Combined temple in Yishun, the temple also commemorates the occasion with much colour, sending the gods off at the seawall of what was a former village by the sea. It was the temple’s ceremony that I found myself at on the evening of 2nd October, the the ninth day of the ninth month this year.

The crowd at Kampong Wak Hassan. The crowd at Kampong Wak Hassan.

There was already much anticipation in the air when I arrived at 9 pm, more than an hour before the procession was to arrive. A small crowd, made up of many extended families, had already gathered and the chatter included the excited voices of the many children in the crowd. While there was a hint of a sea breeze, it was a sticky evening and many sought relief from the strategically positioned ice-cream vendor and the ice-cream wielding crowd brought an almost festive like atmosphere that is not often seen in the area.

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The anticipation seemed to grow with the passing minutes. A commotion announced the arrival of the two paper boats that were to be used in the ritual. The first, with the head of a dragon, was one that was to be set alight on the beach in which offerings were to be placed. The second, was to carry the gods out to sea and set alight - the flames transporting the gods to the heavens. The presence of the boats, which were moved down to the beach, also provided the signal that arrival of the of the procession of the gods and their paraphernalia was imminent, prompting a frenzy of joss stick lighting among the devotees in the crowd.

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A thunder of drums heralded the arrival of the gods. Representations of the nine gods, masked men dressed in an almost gaudy fashion, circled the roundabout at the end of Sembawang Road in an unsteady dance before the procession moved down to the seawall.  A violently swaying sedan chair brought in the sacred urn. The urn is where the spirits of the gods are carried and the chair is swung from side to side by its bearers as a sign the divine presence. Among those making their way down to the seawall with the procession was Mr K Shanmugam, the Minister for Foreign Affairs and Minister for Law and an MP for Nee Soon GRC, who takes part regularly in the Kew Ong Yah temple’s Nine Emperor Gods festival celebrations.

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It was close to midnight when a semi-melodious chant in Hokkien rose above the gentle sounds of the waves of the nearby sea - the chants prayers sung, almost, by a Taoist priest. Once the prayers were completed, it was time for the party of temple officials and the Minister to wet launch the boat carrying the gods, setting it alight in the process, after which attention was turned to the second boat. Fanned by the strengthening sea breeze, the flames seemed in both cases to leap off the burning boat, offering onlookers such as myself, quite a sight to behold. It was past midnight when it was all over, and as quickly as the fire consumed the boats, the crowd dispersed.

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Together with the accompanying ceremony, the fiery end makes the send-off ceremony one of more colourful religious rituals that is seen today in Singapore. The setting for the send-off by the sea provides a connection to who we are and to where we came from; the sea being a naturally where we might, in the past, have sought a connection with the beliefs of our forefathers, many whom arrived here from the coastal communities of Southeast Asia, India and China. Now one of the few religious rituals celebrated by the sea that still is quite visible, the festival serves to connect us with a shore we are very quickly losing sight of. The shore that made us who we were is today a shore that has turned us into who we are not.

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The author also blogs on The Long and Winding Road.

What’s left of the Pandan Forest Reserve

2014 October 13

The first Sunday in October had me paddling a kayak through what turned out to be a surprisingly area of mangroves in a part of Singapore where nature has long abandoned. Described by the Nature Society (Singapore) as “the most extensive mangrove forest in the southern coastline of mainland Singapore”, the mangroves line the banks of a stretch of Sungei Pandan where the industrial march that has all but conquered Singapore’s once wild southwest is quite clearly evident.

Kayaking through the Sungei Pandan mangroves. Kayaking through the Sungei Pandan mangroves.

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The Sungei Pandan mangroves, found along the stretch of river that lies between the Pandan Tidal Gates and the Sungei Pandan Bridge, is perhaps the last remnants of the lush mangrove forest that had once lined much of the banks of the Pandan and Jurong Rivers that had been offered protection as the Pandan Forest Reserve. The reserve covered an area of 542 acres or 219 ha. in 1966 and may have covered an even larger area before that – a newspaper article from 1928 had put the area of the reserve at 639 acres or 259 ha. and had been one of 15 forest areas that was protected under the Forest Ordinance enacted in 1908, and later, the 1951 Nature Reserves Ordinance.

The Pandan Tidal Gates. The Pandan Tidal Gates.

A 1945 Map showing the extent of the Pandan Forest Reserve. A 1945 Map showing the extent of the Pandan Forest Reserve.

The death knell for the mangrove reserve was sounded in the 1960s when land was needed for the expansion of Jurong Industrial Estate. An amendment to the Nature Reserves Ordinance in 1966 saw it lose the 186 acres (75 ha.) on the west bank of Jurong River and that was filled up to create much needed land for the fast expanding industrial zone. The reserve was to lose its status altogether in 1968 when a further amendment to the Ordinance removed the reserve from its schedule of protected forest areas to allow what was described as the “rapid growth of Jurong Industrial Estate”.

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The mangrove forest, besides being home to a rich diversity of flora and fauna, also hosted human inhabitants, many of whom were fishermen who depended on cast net prawn farming in the vicinity of the river mouths and the islands for a livelihood. One of the isolated villages that was found at the edge of the watery forest, was Kampong Teban, described in an article from The Singapore Free Press dated 13 January 1958 as “a village of 135 people living in 27 cottages, some built on stilts over the ooze and slime on the river bank”. The villagers were to see their lives altered by developments n the early 1960s, when part of the area was given to prawn farming.

Kampong Teban, 1958 (source: http://www.nas.gov.sg/archivesonline). Kampong Teban, 1958 (source: http://www.nas.gov.sg/archivesonline).

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The original mouth of Sungei Pandan, was where the Republic of Singapore Yacht Club (RSYC), then the Royal Singapore Yacht Club, moved its premises to, on land reclaimed from the mangroves, in 1965. The club, which traces its origins to 1826, moved in 1999 sometime after it lost its seafront to land reclamation. Its former clubhouse is now occupied by the Singapore Rowing Association – close to where the kayaking trip started.

The entrance to the grounds of the Singapore Rowing Association, formerly the site of the RSYC. The entrance to the grounds of the Singapore Rowing Association, formerly the site of the RSYC.

The start point for the kayak trip. The start point for the kayak trip.

Paddling through the greenery offered by the mangroves, nipah palms and mangrove ferns, the sounds of tree lizards and birds were most evident. Beyond the distinct calls belonging to the ashy tailorbird and the pied fantail – birds that often are heard before they are seen, the likes of grey and striated herons, and white-bellied sea eagles gave their presence away flying overhead. A special treat came in the form of an Asian paradise flycather - a particularly beautiful avian resident of the watery forest, dancing across the mangrove branches. Besides the lizards and the birds, the forest is also plays host to fauna such as mud lobsters, mudskippers, horseshoe crabs, mangrove snails and the dog-faced water snake.

The dance of the Asian paradise flycatcher... The dance of the Asian paradise flycatcher…

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A grey heron in flight. A grey heron in flight.

Another grey heron in flight. Another grey heron in flight.

A striated heron perched on a fallen trunk. A striated heron perched on a fallen trunk.

The Sungei Pandan mangroves is all that remains of a once rich mangrove forest. What the crystal ball that is the URA Master Plan tells us is that the area in which it is situated has been designated as a park space. It would be nice to see that the mangroves remain untouched, not just to remind us of the lost forest, but more importantly to protect an area that despite its location and size, is a joyously green space teeming with life.

Minister of State Desmond Lee - an avid bird watcher. One of the kayakers was Minister of State Desmond Lee, who is an avid bird watcher.

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The author also blogs on The Long and Winding Road.

Parting glances, Church of St. Alphonsus

2014 October 8

In Singapore, the familiar becomes unfamiliar in the blink of an eye. The end of September brought with it more than a fair share of goodbyes to places some of us have grown attached to. One that was especially hard to say goodbye to was a place I have grown especially fond of through my interactions with it over a period of almost half a century, the Church of St. Alphonsus, which closed at the end of September for redevelopment.

A final prayer outside the locked gates of the closed church the morning after. A final prayer outside the locked gates of the closed church the morning after.

In the case of St. Alphonsus, popularly known as Novena Church, it isn’t of course a complete goodbye. The building that housed the church, very recognisable through its distinctive triple-arc pediment – a landmark along Thomson Road, will not be torn down as it has been gazetted for conservation in 2011. It will however, be dominated by a much larger structure once the redevelopment is complete – that being a new and much larger church building that will come up in place of the site occupied by St. Clement’s Pastoral Centre and another very recognisable structure, the church’s bell tower.

A parting glance ... A parting glance …

Better known perhaps for the devotional services it holds through the course of the day every Saturday that brings a crowd to the area – the Novena sessions that gives the church and the area (including an MRT station) their names, the church came into being on its current site in May 1950, when it was consecrated as the new Redemptorist chapel – the order having moved from a site down the road currently occupied by Thomson Medical Centre at which it started the Novena services after the war in 1945.

The chapel as it had originally looked in 1950 (Novena Church website).

The building as we know it today, took on its current form in the latter half of the 1950s. A bell tower and the Redemptorist Residence was added in 1956 and the pediment and a circular stained glass panel of Our Mother of Perpetual Help was added in 1959.

The circular stained glass panel seen through the closed gates of the church. The circular stained glass panel seen through the closed gates of the church.

The bell tower. The bell tower.

The weekly services is what gives the area its flavour, when huge crowds descend on the area every Saturday, crowds that will certainly be missed during the two-year redevelopment period when Novena services are held instead in the Church of Risen Christ in Toa Payoh. I remember it being particularly lively at the end of the 1960s and perhaps the early 1970s – when crowds thronged the sidewalks down the slope from the church where many food vendors would be found.

An aerial view showing the church with its new pediment and the Redemptorist Residence in 1959 (Novena Church website).

Also missed will be the burst of colour that the area sees once a year over the first weekend in September, when the church’s façade is very brightly decorated with a flowers for the annual Novena procession, although the scale of the decorations have become more modest in its latter years. The procession, the 61st of which was held in September, sees crowds in excess of 10,000 spilling into the open car park space that is arrange on two terraces – a space that will be largely altered due to the construction of an underground car park.

Decorations during the annual procession in 1987. Decorations during the annual procession in 1987.

The church held its last services over the weekend of the 27th and 28th September and its grilled gates were closed following the last service. Besides hosting Novena services, the Church of the Risen Christ will also host weekday masses. Sunday masses will during the period of closure be held at St. Joseph’s Institution Junior in Essex Road. More information can be found at the Novena Church website.

Silent corridors at the Redemptorist Residence the morning after. Silent corridors at the Redemptorist Residence the morning after.


Parting glances …

The morning after

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The Bell Tower

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The Church

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The Redemptorist Residence and St. Clement’s Pastoral Centre

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The last Novena

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The last procession and processions past

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The author also blogs on The Long and Winding Road.

Divine faces in the dark

2014 August 22

Take a walk on the dark and somewhat mysterious side of the Bras Basah.Bugis precinct this weekend (and the next), and you might stumble upon a few surprises, all of which, if you are lucky enough, have nothing to do with the time of the year from the perspective of the Chinese calendar.  The precinct plays host to the annual Singapore Night Festival that brings life and colour to the streets and greens of the area along with a wonderful show of light in Night Lights.

Hauntings at the dark and mysterious yard of Singapore's Armenian Church. Hauntings at the dark and mysterious yard of Singapore’s Armenian Church.

Night Lights is back for the Singapore Night Festival (** Ryf's Insert Caption Please is seen in the foreground). Night Lights is back for the Singapore Night Festival (Ryf’s **Insert Caption Please is seen in the foreground).

Night Lights this year has installations that range from one inspired by a giant jellyfish inspired to the divine. The enchanting line-up of lights, include some of which I got to have a glimpse at last night. Standing out, not just among the installations, but also among the trees is Clement Briend’s Divine Trees found just east of the National Museum of Singapore. While seeing Briend’s projections, which leave ghostly like faces of divine figures imprinted on the leaves of several of the trees by the National Museum, can be initially a little disconcerting; it would certainly leave the view in awe as to how alive the seemingly three-dimensional projections seem. The installation is an attempt by the artist to “blur the divide between reality and imagination” and ”a study of the divine and the spiritual in the world made visible by projection onto objects of nature”.

Divine faces in the dark. Divine faces in the dark.

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Over at Singapore’s oldest church building, the Armenian Church, we see more ghostly figures, this time set among the gravestones of the exhumed graves of the church’s yard.  The figures, glowing in a ever changing change of colours, are dresses woven from 40 kilometres of fibre optic cable. Dresses of Memory is all the work of Taegon Kim,  the glow-in-the-dark figures are intended to convey the celebration of ”being in love” and having “a lover’s silhouette imprinted on the webs of one’s memory”.

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The Armenian Church is also where a rather enjoyable installation, Scenocosme’s Alsos*, can be found. The installation, at first glance seemingly nothing more than a illuminated tangle of twigs, is one that invites the visitor to interact with it. By shinning a light on its flowers, and altering the light’s intensity, the visitor creates his or her own set of sounds with each flower filling the air with a different sound.

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A surprise very different and with a far less mysterious flavour awaited me along a narrow alleyway. That was where a bunch of some rather tough looking characters, ones you wouldn’t really want to mess with, seemed to be spoiling for a fight. The fight the tough dudes were looking for were fortunately not with us, but among themselves - they would be meeting in a wrestling ring that would be set up right on on Armenian Street next weekend (29 and 30 August) in the Singapore Pro Wrestling event as part of the exciting line-up of events for the Singapore Night Festival.

Singapore Pro Wrestling comes to the alleyways ... Singapore Pro Wrestling comes to as alleyway …

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For more information on how to catch the wrestlers in action, the light installations, and the rest of the excitement at the Singapore Night Festival do visit the festival’s website at www.sgnightfest.sg. The festival’s happenings can also be followed on twitter at @BrasBasahBugis and on Facebook. There is also a festival guide available on instagram @SNFGUIDE. Hashtags for use during the festival are #SGNightFest and #SNFer. Do also refer to a previous post Bold and Beautiful – let’s Harp on it for more photographs and an introduction to this year’s festival.


A second look at WeComeInPeace’s Spirits of Nature at SAM for #SGNightFest

Through once familiar archways ... Through once familiar archways …

... another look at WeComeInPeace's Spirits of Nature. … another look at WeComeInPeace’s Spirits of Nature.

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The author also blogs on The Long and Winding Road.

Bold and Beautiful, Tango makes the Night Festival

2014 August 21

Bold and Beautiful – in line with its theme for this year, the ever so magical Singapore Night Festival, is back! This year’s festival, on for two Fridays and Saturdays on 22 and 23 August and 29 and 30 August 2014 across the arts and cultural Bras Basah. Bugis Precinct, sees it being organised around five key zones, that will include for the first time, a Festival Village at Cathay Green – which will not be short of delectable offerings, entertainment and shopping opportunities. Two venues will also feature for the first time at the Night Festival, with the historic Armenian Church seeing two Night Lights installations and the National Design Centre (the former St. Anthony’s Convent), which will see a mini interactive exhibition with a ceiling of white illuminated helium filled balloons as well as two light installations.

The Singapore Night Festival is back - bolder and more beautiful. The Singapore Night Festival is back – bolder and more beautiful  and sure to pull-in the crowds.

The highlight of this year's Singapore Night Festival has to be The Earth Harp at the National Museum's front lawn. The highlight of this year’s Singapore Night Festival has to be The Earth Harp at the National Museum’s front lawn.

The highlight of the festival has to be the William Close performing on his Earth Harp at the National Museum’s front lawn – one of several spectacular performances being lined up for the Pretty Arty festival zone based at the museum. The Earth Harp Close creates for the Night Festival, sees the huge harp strung across to the National Museum’s façade – the use of architecture as part of his harp, is inspired by a quote “architecture is frozen music” from Frank Lloyd Wright. Close, who was a second runner-up in the seventh season of America’s Got Talent, will collaborate with several local and international  artists such as Singapore’s drum group ZingO and songstresses in the form of Sound of Sirens as well as the fire and lights of Austrian collective Phoenix over both festival weekends.

Willaim Close and his Earth Harp. Willaim Close and his Earth Harp.

Close close-up. Close close-up.

ZingO - a local drum group, who are collaborating with William Close. ZingO – a local drum group, who are collaborating with William Close.

Pretty Arty also sees half human / half birds of Follies for É Birds by the Arts Fission Company in the former Fashion Gallery. Pretty Arty also sees half human / half birds of Follies for É Birds by the Arts Fission Company in the former Fashion Gallery.

The festival sees the return of Singapore’s very own Starlight Alchemy, playing not so much with fire this time, but with light and acrobatics beside the Singapore Management University (SMU) School of Information Systems in a zone intended to reach out to Young Hearts around SMU Green. The acts will include AcroYogis – an acrobatic partner yoga presentation in which the audience can participate in, as well as Illuminated Playtime in which participants will be invited to play with LED lights.

AcroYogis by Starlight Alchemy. AcroYogis by Starlight Alchemy.

Another look at AcroYogis by Starlight Alchemy. Another look at AcroYogis by Starlight Alchemy.

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Watch 10 local DJs spin together on Stage at the SMU Green in the Young Hearts Zone. Watch 10 local DJs spin together on Stage at the SMU Green in the Young Hearts Zone.

The 10 DJs on stage. The 10 DJs on stage.

Always a crowd-pleaser, Night Lights, will also return – this time doubling in scale – with installations spread across the festival’s zones. Night Lights never spares the Singapore Art Museum (SAM), a building I always enjoy seeing bathed in light – like outstretched arms its wings are always welcoming as it had been when I went to school there all those years ago. This year the façade of the SAM will be see a nature inspired multi-media presentation, Spirits of Nature, by WeComeInPeace from France.

Spirits of Nature by WeComeInPeace. Spirits of Nature by WeComeInPeace.

The two Frenchmen coming in Peace. The two Frenchmen coming in Peace.

One of the students behind Singapore University of Technology and Design's Night Lights installation at SMU, Stop and Smell the Flowers ... One of the students behind Singapore University of Technology and Design’s Night Lights installation at SMU, Stop and Smell the Flowers …

... the installation requires one to pause - only by pausing to take a long exposure photograph, can the artwork be appreciated. … the installation requires one to pause – only by pausing to take a long exposure photograph, can the artwork be appreciated.

Greenhouse Effect - another Night Lights installation by Maro Avrabou and Dimitiri Xenakis from France. Greenhouse Effect – another Night Lights installation by Maro Avrabou and Dimitiri Xenakis from France.

Other eye-catching Night Lights installations I got to see a preview of include Cyanea, inspired by the Cyanea capillata – one of the largest jellyfish in the world, spread across Cathay Green. The installation, illuminated by a set of colour-changing lights, with smoke and sounds for effect, is being put up by Cumulus Collectif also from France.

Night Lights: Cyanea by Cumulus Collectif. Night Lights: Cyanea by Cumulus Collectif.

Back to the SAM, where the Roundabout Midnight zone is based around, there are several installations to look out for. These include, The Cloud of Unknowing  by Ho Tzu Nyen in the Chapel on 29 and 30 August, 2014 – a cinematic exploration of the cloud as image, metaphor and carrier for divine illumination; a NOISE Weekend @ SAM on 22 and 23 August at 8Q Plaza, SAM at 8Q that will feature emerging bands and musicians from NOISE Singapore’s Music Programme; Darker Than Wax DJs at SAM on 29 August; and The Local People x SAM Night Market on 30 August, 2014 – where visitors can eat, listen and shop at the art market along Queen Street.

Cyanea from its inside. Cyanea from its inside.

A view of the Orchard Road Presbyterian Church, through Cyanea. A view of the Orchard Road Presbyterian Church, through Cyanea.

The last zone, Block Party @ Armenian Street, will see a wild and happening Armenian Street where parties to late will be taking place. The parties will include one that will see much excitement with a ring put up on the second weekend right in the middle of Armenian Street (which will be closed to traffic from 8 pm to 2 am on festival nights). The ring will see wrestling bouts that will pit stars of Singapore Pro Wrestling – another first at the Night Festival.

And Tango makes the Singapore Night Festival. And Tango makes the Singapore Night Festival.

A performance that might be worth catching at Block Party is How Drama ’s Fat Kids are Harder to Kidnap, in Something Borrowed, Something New at The Substation Theatre, which will probably have you in stitches – not just because of the speed performance of 31 plays in an hour by the Singapore based improvisational performers, but also for their rather amusing take on current happenings. The performance, which will see the audience determine the sequence, has the audience laughing at the funny side of issues such as the much talked about Singapore Tourism Board’s “Honey, Look!” video advertisement as well as the National Library’s tango with the removal of children’s books from the shelves.

Honey, Look! Honey, Look!

Admission to the Singapore Night Festival (including to the participating museums) is free. More information, including the festival guide, details of the performances, installations and also the artists, can be found at www.sgnightfest.sg. The festival’s happenings can also be followed on twitter at @BrasBasahBugis and on Facebook. There is also a festival guide available on instagram @SNFGUIDE. Hashtags for use during the festival are #SGNightFest and #SNFer.

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The author also blogs on The Long and Winding Road.

Not quite the roar, but the new Kallang’s rocking

2014 August 19

Try as he might the stadium announcer at Saturday’s Singapore Selection versus Juventus football match couldn’t quite coax the crowd into reaching the decibel levels of the long unheard Kallang Roar. The roar, named after the thunderous noise of cheering supporters literally rocking the stsaium’s structure in days when the original National or Kallang Stadium was packed to capacity in playing host to Malaysia Cup matches (it would be packed with as many as 70,000 fans during its early years, before that was reduced to 55,000). Much feared by Singapore’s footballing opponents, much was made of it as the twelfth man in the many games Singapore played against the Malaysian State teams in the competition.

The impressive roof, a section of the crowd, and a view of the colours of the sunset. The impressive roof, a section of the crowd, and a view of the colours of the sunset.

The new stadium with the silhouette of a dragon boat team in the Kallang Basin seen at sunrise. The new stadium, seen at sunrise, just at the time of its completion.

The purr was, I guess, to have been expected. It is early days yet with the first football match being played a non-competitive one with terraces half-filled. And while the brand new stadium may have lacked the atmosphere of the old and the pitch showing obvious signs of not being completely play-worthy, it does impress, not just from a perspective of its architecture, but also in many areas that matters to the spectator – especially so the ventilation system and the seating.

There were obvious signs of bare sandy patches on the pitch. There were obvious signs of bare sandy patches on the pitch.

Whether the roar will return is left to be seen. This we may have a sense of in a few months when Singapore co-hosts the Asean Football Federation (AFF) Suzuki Cup in November. What then is heard during matches involving the Singapore team, will perhaps serve a more accurate barometer of whether with the new stadium, the Kallang Roar will make its return.

Despite the goalkeeper's acrobatics, the Singapore Selection let in five goals without reply. Despite the goalkeeper’s acrobatics, the Singapore Selection let in five goals without reply.

First match, first casualty ... First match, first casualty …

Adoring Juve fans ... Adoring Juve fans …

And the man they came to see, Andrea Pirlo. And the man they came to see, Andrea Pirlo.

Numero cinque going in. Numero cinque going in.


The author also blogs on The Long and Winding Road.

Colourful and secret gardens by the bay

2014 August 18

Back for a fifth time, the biennial Singapore Garden Festival (SGF), as on previous occasions, promises visitors a visual feast of beautifully conceived gardens as well as a kaleidoscope of colour. Organised by the National Parks Board (NParks) and Gardens by the Bay (where it is being held for the very first time), the nine-day SGF 2014 (held from 16 to 24 August) sees the introduction of a competitive Floral Table Series and a showcase of Miniature Garden Designs in addition to the mix of designer and fantasy gardens.

The fantsay world of Tartarus by James Basson of Monaco. The fantsay world of Tartarus by James Basson of Monaco.

The Gardens by the Bay provides the setting for this year's SGF.The Gardens by the Bay provides the setting for this year’s SGF.

The Fantasy and Landscape Show Gardens, with 7 and 8 exhibits respectively this year, are always a treat at SGF. This year’s location provides a somewhat more natural setting for the Landscape Show Gardens which are on display in the open at The Meadow. Among the exhibits in these two categories, I especially enjoyed Tartarus, a Fantasy Garden by Monaco’s James Basson, that has the effect of takes one right into the fantasy world of a secret forest.

Another secret garden - Winter Illusion by Kate Hiller and Dan Rutherford of New Zealand. A peek into another secret garden – Winter Illusion by Kate Hiller and Dan Rutherford of New Zealand.

From the Landscape Show Garden category. Out in the open at The Meadow – one from the Landscape Show Garden category.

The bulk of the displays are at The Meadow. The bulk of the displays are at The Meadow.

Beside the Fantasy and Landscape Show Gardens, the displays at The Meadow, where the main part of SGF is being held at, include the always delightful Balcony Gardens, 8 of which are on display, Floral Windows to the World, Celebrations! Floral Table Series, the Minature Garden Displays, the Community in Bloom displays and a Learning Garden.

A Balcony Garden. A Balcony Garden.

From the Community in Bloom displays. From the Community in Bloom displays.

The Learning Garden. The Learning Garden.

JeromeLim-8855

JeromeLim-8862

A Miniature Garden display. A Miniature Garden display.

The Ice Queen's Spring Breath (Floral Windows into the World). The Ice Queen’s Spring Breath (Floral Windows to the World).

Passion (Floral Windows into the World). Passion (Floral Windows to the World).

Dining in Mangrove (Celebrations! Floral Table Series). Dining in Mangrove (Celebrations! Floral Table Series).

Another from Celebrations! Floral Table Series. Another from Celebrations! Floral Table Series.

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Also to look out for this SGF, is the Orchid Extravaganza at the Flower Dome. The display, designed by award-winning landscape architect Jun-ichi Inada, features some 18,000 plants and more than 40 orchid species and hybrids that includes a 10 metre Orchid Kaleidoscope. Also at the Orchid Extravaganza is a gallery of competition orchids put on show by the Orchid Society of South East Asia. Orchid Extravaganza, which opened with SGF 2014, will be on display for much longer, until 21 September.

The Orchid Kaleidoscope at the Flower Dome. The Orchid Kaleidoscope at the Flower Dome.

Inside the Orchid Kaleidoscope. Inside the Orchid Kaleidoscope.

A display of competition orchids at Orchid Extravaganza. A display of competition orchids at Orchid Extravaganza.

For photography enthusiasts, a photography contest, COLOURS, will be held during SGF 2014. Those who wish to participate may submit photographs that best represent the theme Colours through the contest Facebook app, from 16 August to 7 September. The contest is open to Singaporeans and residents of Singapore who are above 13 years old and have a Facebook account. Prizes include the top prize of a Canon DSLR camera and printer worth S$1528/-. For more information on the contest and SGF (including ticketing), do visit the Singapore Garden Festival’s website or Facebook Page.


More of the orchids at Orchid Extravaganza

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JeromeLim-8997

JeromeLim-8993

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JeromeLim-8971

JeromeLim-8966

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JeromeLim-8983 JeromeLim-8987


The author also blogs on The Long and Winding Road.

The ICON de Martell Cordon Bleu 2014

2014 August 12

The prestigious photography award that recognises the Singapore best of the best in photography, the ICON de Martell Cordon Bleu, returns for a fifth year. As with the award of the previous years, an exhibition of works of the award nominees will be held, this time around in conjunction with the Singapore Night Festival at the Stamford Gallery of the National Museum of Singapore from 20 August to 5 September.

Lavender Chang: Eldest Daughter (2011)

An additional highlight of the exhibition will be an interactive room on which Martell and ICON de Martell Cordon Bleu 2013 winner Sarah Choo have collaborated on. The presentation will attempt to draw parallels between both photography and cognac making and is intended to convey the message of how discernment in the details is important to both.

Jeannie Ho: Brunch Is The Order Of The Day (From the series ‘All In Between’, 2012)

Wilfred Lim: Superhero (From the series ‘Self Portraits’, 2013)

Also to look forward to during the period of the exhibition is the visit of Martell Heritage Ambassador Christophe Pienkowksi, formerly a chef at the Chateau de Chanteloup (where Martell entertains its guests). Pienkowski’s gastronomic expertise and knowledge of Martell cognacs lends to the expert pairing of different cuisines with the various marques of Martell cognacs for which he will share and make recommendations.

Eugene Soh: Venus & Grace Edition 30 (2012)

During the period of the exhibition, visitors will also be able to complete the Martell experience at a pop-up bar that will serve Martell cognacs and cocktails.

Ang Song Nian: Detour No. 3 (From the series ‘Many Detours : Washed-­‐out & Interrupted’, 2011)

The nominees for the award this year are:
  • Ang Song Nian
  • Eugene Soh
  • Jeannie Ho
  • Ken Cheong
  • Lavender Chang
  • Neo Xiaobin
  • Wilfred Lim
More information on last year’s awards and winners can be found at this link.


The author also blogs on The Long and Winding Road.

Singapore Art Museum – National Day Open House 2014

2014 August 8

Event Listing

In celebration of Singapore’s National Day, the Singapore Art Museum is opening its doors to the public with free admission to the museum and participation in various family art activities. Free workshops and activities have been organised to coincide with the newly opened exhibition Sensorium 360º. Visitors are able to create their own artworks, inspired by Singapore’s National Day and the artworks of Sensorium 360º.

ACTIVITY HIGHLIGHTS

ACTIVITY: COLLABORATIVE MURAL

VENUE: SAM Level 2 Lobby

TIME: 11.00 am to 6.00 pm

This collaborative artwork celebrates National Day by involving participants the creation of a mural with cityscape and landmarks of Singapore. Participants can contribute by drawing well-known Singapore landmarks, as well as personal landmarks such as houses, people, cars, etc. This mural will be displayed at SAM throughout National Day.

Singapore Art Museum_National Day Open House_2014-4

Singapore Art Museum_National Day Open House_2014-1

ACTIVITY: DARK ROOM

VENUE: SAM Gallery 3.7

TIME: 11am, 12pm, 1pm, 2pm, 3pm, 4pm, 5pm

DURATION: 45 minutes

Inspired by Sensorium 360° artwork, Unseen: Touch Field by Alicia Neo, this activity encompasses the experience of craft making in a dark room setting and allows the participants to rely solely on their sense of touch. Participants will create shapes and forms using materials such as beans and beads by following verbal instructions.

ACTIVITY: NATIONAL DAY KALEIDOSCOPE

VENUE: SAM Glass Hall

TIME: 11am, 12pm, 1pm, 2pm, 3pm, 4pm, 5pm

DURATION: 45 minutes

Inspired by Sensorium 360° artwork, The Overview Installation by Eugene Soh, which transforms the way we see the world, participants will create a kaleidoscope to celebrate National Day through intriguing fragments of colours and patterns.

Singapore Art Museum_National Day Open House_2014-3

Singapore Art Museum_National Day Open House_2014-2

For more details, please visit the Singapore Art Museum website at http://www.singaporeartmuseum.



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