The Bras Basah Road area is one blessed with several monuments which date back to the 1800s. It was at the heart of an area where four of these monuments were erected largely through the efforts of the early French Catholic missionaries. Built to serve the needs of the growing Catholic community in Singapore, as well as to provide education for those in need, the monuments were not built to be functional but also were expressions of the love and dedication that they had been built with. While two of the four, the buildings of the former St. Joseph’s Institution (SJI) and the Convent of the Holy Infant Jesus (CHIJ), have since been converted for uses other than what they had been attended for, the other two, the Cathedral of the Good Shepherd and the Church of Sts. Peter and Paul, are still used as they had been meant to be.
The Church of Sts. Peter and Paul in Queen Street.
The two are also ones which are also badly in need of repair and restoration. The plight of the Cathedral, Singapore’s oldest Catholic church building, is of course a more dire one. Its structure, ravaged by both time and nearby construction activity, shows obvious signs of damage. Repairs which are due to commence sometime this year will cost the Cathedral some S$40 million, of which it has raised only a quarter of. The Church of Sts. Peter and Paul, the second oldest Catholic church building, while less in need of repair, does still need to raise some S$10 million to have, among other work, its roof and termite infested wooden structures repaired.
An appeal for funds at the church’s entrance.
The Church of Sts. Peter and Paul, built from 1869 to 1870, its steeple once featuring prominently in the area’s skyline alongside that of the Cathedral’s and the Chapel of CHIJ, and the dome of SJI, is one of several beautiful examples of the tropical adapted Neo-Gothic religious architecture the French Missionaries gave to Singapore (other examples include the CHIJ Chapel and Nativity Church). Built to house the growing Chinese and Tamil speaking Catholic community by a certain Fr. Pierre Paris (whose remains are buried in the church), the church also features some beautiful wrought iron work as well as stained glass panels (which are said to have been made by French artisans).
Ironwork at the church’s entrance.
A view towards the sanctuary behind which five long stained panels can be be seen.
A close-up of the five panels of stained glass.
A close-up of the central panel.
A stained glass rose window.
The church is also one I have had many interactions with through the days of my youth. My parents who often referred to it as “Chinese Church” did on occasion take me there for mass and it was in this church as well as the Cathedral where I, as a schoolboy in SJI, would attend masses organised by the school – the school’s chapel was too small to accommodate the school’s population of Catholics. The church is also one I often associate with Catholic High School – the school having been housed at buildings within the church’s compound (now 222 Queen Street) and across the road (now SAM at 8Q).
A view through the grilles of the building which once housed Catholic High School.
The grilles of the stairwell – the building is now used as an arts centre.
That it was commonly referred to as the “Chinese Church” stems from it having housed the Chinese Mission which saw to the needs of the various dialect speaking groups including the large number of Teochew speakers who remained with the church after the other communities moved out. The other communities included the Hakka and Cantonese speaking congregation who would in 1910 move to the Church of the Sacred Heart in Tank Road, and the small Hokkien Catholic community who moved to the Church of St. Teresa in 1929. Interestingly, the church also housed the the Tamil speaking community as Fr. Paris who built the church, also administered to that community having had a command of the Tamil language. The Tamil community was the first to move when the Church of Our Lady of Lourdes completed in 1888 was built to house them.
Fr. Paris’ remains are buried in the church.
In silent prayer.
There are several interesting facts about the church. One is that it once housed a pipe organ built by the renowned 19th Century French organ builder Aristide Cavaillé-Coll in 1877 which unfortunately fell into disrepair and was removed in the 1960s. Another is that the boundary wall is thought to have been paid for by Napoleon III based on a 1914 report attributed to the then Bishop of Malacca (the diocese of which included Singapore), Monseigneur Emile Barillon who served as Bishop of Malacca from 1904 to 1933. The building as we see it today is also one that has been enlarged – the transept, sacristy and sanctuary were added in 1891-92. More on the building and the history of the church can be found at:
- History of the church on the church’s website
- Infopedia article on the Church of Sts. Peter and Paul
- Preservation of Monuments Board (PMB) page on the church building
- Wikipedia page on the Church of Sts. Peter and Paul
The boundary wall seen on Waterloo Street today – the original wall was said to have been paid for by Napoleon III of France.
A look down the nave – the nave had originally had three sections, separated by huge hardwood columns which were removed in the 1890s.
The choir loft at the end of the nave.
A wooden door at the transept entrance.
A view across the transept – the transept was added in 1891-92.
Another view down the nave.
The tropical adapted neo-gothic design features windows which allow both light and ventilation into the church.
A statue of St. Peter at the entrance.
And one of St. Paul.
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Going on until tomorrow evening (24 may 2013) at Clarke Quay is the latest edition of Music Matters Live (MML), Music Matters Live with HP. Part of the award-winning Digital & Music Matters Conference 2013, the three evening event brings more than emerging 50 bands representing some 20 countries to Singapore.
Music Matters Live with HP 2013 opened at Clarke Quay last evening.
Carlos Castaño opens the three day music festival.
Opening the event last evening was a great first act from Filipino soul singer, Carlos Castaño who was followed on the Fountain Stage by Indonesian YouTube sensations Gamaliel, Audrey and Cantika (GAC) and Singapore’s rap and hip-hop artist Kevin Lester. It wasn’t just the acts at the Fountain Stage which had the feet of the audiences tapping – there were performances at various other venues including Singapore singer/songwriter Sarah Cheng-De Winne – a nominee in the 12th Independent Music Awards, as well as acts from some unusual origins. One that came on at the start at China One was what is the first pop and hip-hop girl group to come out of Myanmar, the Me N Ma Girls (ex Tiger Girls).
Another shot of Carlos Castaño.
The Me N Ma Girls from Myanmar.
Kevin Lester.
The party continues this evening with a line-up of some 43 bands at the six venues. Judging from the crowds last year, the highlight for many would probably be on tomorrow evening at K-Pop Night Out which will feature the likes of R&B diva Lena Park, a pair of girl groups AOA and SPICA, Eastern Sidekick – an indie rock band, an idol group M.I.B and jazz artistes Park Juwon and Jeon Jeduk.
Sarah Cheng De-Winnie at Fern & Kiwi.
The final evening will also see a showcase of our local talent which will see a line-up of local indie bands appear. These include Electrico, Plainsunset, Kevin Lester and The Observatory, as well as the very raw The Summer State, Natalie Hiong, These Brittle Bones and The Sam Willows. MML 2013 is supported by the National Arts Council (NAC) as well as YouTube, Singapore Tourism Board, Media Development Authority, Pacific Beverages, Fender, Korea Creative Content Agency (KOCCA), and many others. More information can be found at www.musicmatterslive.com and https://www.facebook.com/MusicMattersLive. The event can also be followed on Twitter at https://twitter.com/musicmatters and at the official Youtube channel is http://www.youtube.com/user/musicmatterstome.
The crown being warmed up at the Fountain Stage.
Venues and Schedules (click to enlarge)
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Perched at the edge of Pasir Panjang Ridge (a.k.a. Kent Ridge) facing south is a remnant of a time and place there is little memory of lying hidden and forgotten. The cluster of flat roofed buildings, designed such that they could quite easily be hidden, are what remains of an military outpost that was part of a defence line that had been established well before the war along the southern ridges – preserved only because they have long remained hidden from view.
On a hill not so far away lies a world that remains lost.
The opportunity to visit the outpost, which is in more recent times closed-off to the public for safety reasons, came during a walk to commemorate the anniversary of the Battle of Pasir Panjang I had participated in. Stepping through the vegetation which has it well camouflaged, and into the area through one of the buildings was like stepping through a doorway into a parallel world well lost in time.
Access to the buildings is through vegetation that has them well camouflaged.
A close-up of the writing on the wall giving an indication of when the outpost was built.
A doorway into a parallel world.
That there were signs that life did once exist there added an air of, if I may call it, surreality. A room, its walls coloured green by algae, has the obvious signs that it was a kitchen. In another, a bath tub could be seen with a piece of debris that at first glance, resembled a body part. That we do see that is certainly evidence that the outpost was meant to operate on its own, as perhaps as a surveillance post perched on an isolated corner of the strategically important ridge.
The kitchen.
The bathroom.
It is along the stretch of Kent Ridge which runs from what now is Clementi Road east towards where it meets Marina Hill at South Buona Vista Road at a pass which had been known as The Gap occupied by the National University of Singapore (NUS) where we find the outpost, close to its high point. The ridge made a natural position from which the military installations in the Wessex Estate area could be defended from a ground assault from the south and it was on it that one of the last battles in the lead-up to the fall of Singapore in February 1942, was fought. That it was only rediscovered in more recent times is perhaps one reason that while much of paraphernalia associated with the former military presence on the ridge has been lost over time, the outpost has survived to this day, serving as a physical reminder of a past we perhaps have been too quick to forget.
A building on the upper terrace.
A stairway.
A view through the vegetation to a building on the lower terrace.
The buildings, arranged on two terraces, which might have remained abandoned following the war, do show signs perhaps of a more recent use. A tyre lies along a corridor littered with fallen leaves, as does a metal pail, which does somehow increase the sense of eeriness which takes over as soon as the initial sense of surreality fades. In the silence of the lost world, there perhaps were voices of the past to be heard. But with the little time there was to dwell in the silence of the forgotten world, the voices are ones which do remain unheard.
A closer look at the building on the lower terrace.
A tyre along a leaf strewn corridor.
A metal pail close by.
A window into a forgotten world.
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It is in a world by the sea that lies forgotten that I often find myself in silent solitude to celebrate the joy of the morning. Spared from the obsessive desire we in Singapore have to manicure and introduce clutter to our public places, it is a world which connects me with the wonderful memories of childhood holidays by the sea in a gentler Singapore that we long have left behind. I do hope the day when this world is made to catch up with the new is far away, but it probably will be a case that it will come sooner rather than later with developments in the area gaining pace to bring us that promise land some find little promise in. But before that happens, it will serve as an escape from a world it increasing is hard to find an escape from and a world we I can at least feel at home in.
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An attempt to capture the beautiful light as darkness falls at 7.42 pm on 19 May 2013 at Lower Peirce Reservoir.
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Coming from a somewhat sedate Singapore where, despite its rich multi-cultural make-up, religious and cultural celebrations are generally calm and controlled affairs, finding myself caught in one of the many colourful street celebrations that take place in the countries around is always an experience to remember. I was in Macau recently to catch not just one, but two of the larger celebrations that takes place on the streets of the former Portuguese colony around the month of May. The first, perhaps more of a calm and contemplative affair, the Feast of Our Lady of Fatima, takes place on 13 May every year. The second is celebrated with a drunken frenzy on the streets. That, the feast of the Drunken Dragon, takes place every year on the 8th day of the 4th Chinese lunar month which fell on 17 May this year.
The feast of the Drunken Dragon is celebrated with a drunken frenzy on the streets of Macau.
The Drunken Dragon Festival is definitely a spectacle for photographers.
The festival, Tchoi Long Chit (醉龍節 or 醉龙节) - as it is spelled in Cantonese in Macau, would have its roots in neighbouring Zhongshan, Guangdong Province where it is thought to have been celebrated since the Song Dynasty and may have been celebrated in Macau since the reign of Emperor Kangxi during the Qing Dynasty based on information at the website of the Macau Government Tourist Office (MGTO) and is described in the following manner:
… a very strange festival if compared with the other major Chinese festivals. It dates from the misty past from the Kangxi Kingdom of the Qing Dynasty. Praying to the Buddha for help against a disastrous plague, villagers were carrying his statue when suddenly a giant python leaped out of the river on to the bank, blocking the way. A Buddhist monk slashed at the monster, cutting it into three pieces which were tossed into the river.
The pieces writhed about and then, amid a great wind and thunder, they flew up into the sky. Miraculously, the people recovered from the plague and the turf which has been stained with the creature’s blood proved to be unusually fertile. Believing that they had been saved by a divine dragon, the people carved its image and at the annual festival when the Buddha is bathed they drank wildly and danced with the dragon.
The fishermen associations organize this festival, which start in the morning in the Kuan Tai Temple near S. Domingos Market (near Senado Square), where men perform a drunken dance with wooden heads and tails of a dragon. Then, they go on the direction of the Inner Harbour and pay a visit some shops and piers on the waterfront. At each stop they drink wine until they are not able to go on. All the participants and observers end the day with a great dinner.
Participants arriving at the Sam Kai Vui Kun Temple, the starting point of the street celebration.
Participants gather at the Kuan Tai Temple near Senado Square at around 8 in the morning.
Wooden head and tail sections of dragons lie in wait at the Kuan Tai Temple.
A monk blessing offerings at the Kuan Tai Temple.
The celebration in Macau of the ”strange” festival sees participants start with prayers and blessings at the Sam Kai Vui Kun or Kuan Tai Temple – about half an hour before a ceremony proper is held in a tent in Senado Square at 9 am. It is at the temple where participants collect the two dragon pieces in pairs – at which many are already visibly intoxicated, downing cans of beer and blowing mouthfuls of the liquid into the air – making for a spectacle best observed up close as both observers and jostling photographers (and their equipment) risk getting a splashing from the alcohol laden spray and mist that is propelled into the air.
The celebrations are best observed close-up but be prepared to jostle with the frenzy of photographers eager to capture the best shots at the risk of getting their equipment wet and sticky.
Prayers are also offered.
Participants collecting the dragon pieces.
The participants and their dragons seek blessings at the temple.
A participant offering a joss stick.
Participants downing cans of beer outside the Kuan Tai Temple.
And spray mouthfuls of it into the air.
The ceremony in Senado Square is one at which the participants are introduced before lion dance lions have their eyes dotted to bring them to life after which the participants perform a dance ritual in a prelude to the drunken journey through the streets.
Participants being introduced during the ceremony.
An introduction being made.
Red cloth is tied to the dragons.
Lion dance lions await the eye-dotting ceremony which brings them to life.
The eye-dotting ceremony.
A jar of wine and wooden dragons for the ritual dance before the participants set off.
Participants performing a dance ritual …
… before setting off …
At this point, the participants seem to already have difficulty keeping upright – that however does not stop them from getting organised before the journey through the cobblestone streets begins, the younger ones – some boys, lead the procession in a martial art inspired dance, wooden dragons in hand. Even on the move, the action does not stop – the men continue to down jars of wine, spraying some of the contents of the jars into the air. As they make their way, occasionally taking a wrong turn, they stop at shops where offerings placed on stools are left at the entrances, moving the dragons in a way that made it appear that they were greedily devouring what was left on the stools. The dragons enter the shops before continuing on their way – a dancing lion dance takes the place vacated as firecrackers are lit as those in the crowd put their hands over their ears in anticipation.
Even in a state of drunkenness some organising has to be done.
The participants set off …
A drummer accompanies the participants.
The procession of participants in martial art inspired dance makes its way through the narrow streets off Senado Square.
Stopping along at shops along the way outside which offerings are made.
Dancing lions follow the participants.
I follow for a distance, reeking of not just of the sticky alcoholic residue a deposit of which was left on my skin, clothes and equipment but also of the mix of perspiration and rain which fell earlier that I was completely drenched in. After some three quarters of an hour running after the drunken men I decided to break away. Despite the sticky mess my equipment and I were in, I would have most willingly continued if it wasn’t for a gluttony motivated bus ride I wanted to make to Fernando’s in Hac Sa Beach in Coloane – after which the Tam Kong Festival celebrations in Coloane Village beckoned. The very unique way in which the festival is celebrated must count as one of my more memorable experiences and one which I certainly am thankful to have remained sober enough to have been able to observe.
Mixed with the crowd of curious tourists and photographers are many locals who line the streets to observe the procession.
Information on the festival and its origins:
Drunken Dance (about the origins of the festival in Zhongshan)
Feast of Drunken Dragon (China Central Television – CCTV video report)
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The thirteenth of May marks the Roman Catholic feast of Our Lady of Fatima and is the day in 1917 when the Virgin Mary made the first of her six appearances to three children in a remote village north of Lisbon near Fátima. Widely commemorated especially by churches in the Portuguese tradition, the feast is also one in which we see the rich Portuguese heritage of Macau being celebrated. Although followers of a religion introduced by its former masters number only 5% of the total population in the one-time Portuguese territory, it is very much one which cannot escape the eye in Macau, with not just its many beautiful churches and religious buildings in clear sight, but also in the many ways in which the faith manifests itself.
A young participant in the celebration – one of the flower girls who lays the path taken by the procession with rose petals.
The feast of Our Lady of Fatima is one way in which the Portuguese heritage of Macau is celebrated.
The congregation streaming out of St. Dominic’s Church in Senado Square during the Feast of Our Lady of Fatima.
The Bishop of Macau, José Lai, celebrates mass at St. Dominic’s Church before the procession.
The feast in Macau is an important date in the Special Administrative Region’s calendar of religious celebrations. The commemoration of the feast day in Macau involves a huge religious procession in which an image of the Our Lady of Fatima is carried followed by many devotees who are not just from the local community but also many who come from far and wide.
Our Lady of Fatima watches over the faithful in St. Dominic’s Church during mass.
The procession starts inside St. Dominic’s Church.
The commemoration which starts with the celebration of mass at St. Dominic’s Church in Senado Square, sees the famous square turn into a sea of people and candlelight as thousands of Catholics follow a statue of the Virgin, placed on a bed of roses, as it is carried on a two and a half kilometre route from St. Dominic’s to the Church of Our Lady of Penha. The procession, during which the Rosary is recited and hymns sung, makes its way from the square through narrow streets by the square up to the Cathedral. From the Cathedral, it turns down to the Avenida da Praia Grande on which it makes its way south before turning west to the Avenida da Republica. The final third of the route involves an uphill climb up the steep road to Penha Hill on which Our Lady of Penha chapel is perched.
The start of the procession.
The procession making its way through Senado Square.
The procession is a moving experience for anyone attending and ends with a Benediction which is held at the entrance of the Church of Our Lady of Penha. Following this the congregation streams into the church to receive a rose which comes from the bed of roses the statue of Our Lady is carried on.
The statue being brought into Our Lady of Penha Church.
Benediction takes place outside Our Lady of Penha Church.
The congregation making their way into the church.
Inside the church the members of the congregation are presented with a rose from the bed of roses the image of Our Lady is carried on..
Three children who were selected to represent Lúcia, Jacinta and Francisco, the three children Our Lady appeared to having a photograph taken.
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Once again, I find myself in Macau and to escape the crowds around Senado Square in Macau I decided to pop into the multi-storey market complex which houses the Mercado de São Domingos. Sited just a short distance from the square, the market is one where perhaps one of the few places in and around the busy square that lies at the centre of tourist Macau and is where the real and hidden Macau awaits discovery. It is a wonderful place to bring a camera to and even when seen without colour, is an extremely colourful place. The market complex, the Complexo Municipal do Mercado de São Domingos, was built in 1996 to replace and older market and is clean and surprisingly air-conditioned and certainly a fascinating place to wander through and can be reached from Senado Square via Rua Sul do Mercado de São Domingos.
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Changi Naval Base opens its doors to the public this weekend for the much anticipated Navy Open House which on the evidence of a preview of it I was fortunate enough to get to see, will be one packed with lots of fun and excitement for anyone heading to the event. The preview which provided a sneak peek into the Open House, hosted by the Republic of Singapore Navy (RSN), also included an opportunity to take a short voyage on the RSS Vengeance, a Missile Corvette (MCV) which can achieve speeds of above 30 knots – one of several rides on RSN’s naval assets the public can look forward to be treated to over the two day event.
The RSS Vengeance Missile Corvette (MCV) is one of the RSN’s naval assets that the public will have an opportunity to take a cruise on.
The Navy Open House on 18th and 19th May promises to be an event for all to look forward to.
One highlight of the Open House must be the exhilarating Dynamic Display. The display which is on twice during the day sees divers from the elite Naval Diving Unit being dropped into the sea by hovering Chinook helicopters in order to stage a daring rescue bid which culminates with the divers storming a ship. The display which commences with the firing of a Typhoon gun, also has other assets on display, including a sail past of the newly commissioned Archer Class submarine, a Seahawk dropping a sonar to conduct a submarine hunt, and rigid hull inflatable boats (RHIB) and a Fast Craft Utility (FCU) used when the divers are in action.
A Chinook dropping naval divers to stage a rescue mission – part of the Dynamic Display segment.
The segment starts with a Typhoon Gun being fired.
A RHIB carrying divers.
Naval divers storming a ship.
A Seahawk seen during the Dynamic Display – flying over one of the RSN’s Frigates.
An Archer Class submarine with a Frigate.
The opportunity to have a ride on the MCV will surely be to be a popular one. Besides the MCV there rides on board several other naval assets, the Mine Countermeasure Vessels (MCMV) and Patrol Vessels (PV), to consider. The rides will give participants a glance into life on board and an appreciation of how some of the navy’s shipboard operations are conducted. Visitors are also able to opt for a ride across the waters of the base on some of the RSN’s amphibious assets including the Fast Craft Utility (FCU) and the LARC V (a “Duck Tours” type craft). Due to the limited capacity on these rides, registration during the Open House will be required and selection will be carried out through a ballot.
Visitors can ballot for a place on a cruise onborad vessels such as the MCV.
The MCVs.
The navy relies a lot more on traditional navigational aids such as paper charts.
The crowded wheelhouse during a harbour operation.
At the berth side, there will also be a chance to go on board several of RSN’s assets including the Frigates, Landing Ship Tank (LST), MCV, PV and MCMV which will be open for public visits. There is also a possibility that some of the foreign naval vessels which are in town for the International Maritime Defence Exhibition (IMDEX) will also be open to the public – including the state-of-the-art US Navy (USN) Littoral Combat Ship (LCS) USS Freedom.
There is an opportunity to go on board some of the ships at berth.
Visits may also be possible to foreign naval vessels such as the USN’s LCS.
To complete the experience, there are also a couple of tents where visitors can find out more about the RSN, its assets, how it operates and understand more of what life is like on board. The Mission and Capability Tent provides insight into the 3rd Generation RSN’s capabilities through its equipment and how it integrates them. Displays include a missile exhibition, 3D models of the assets, and some very interesting equipment. Those which caught my eye are the Autonomous Underwater Vehicle (AUV) and the Remotely Operated Vehicle (ROV – which can also be deployed in a sacrificial manner as a mine detonator when armed with an explosive head); both deployed by the MCMVs. Also of interest is a fixed wing Unmanned Air Vehicle (UAV) which extends the capability of the MCVs – due to the limited deck space on the MCV, the ships are equipped with a specially designed recovery net to allow the UAV to be recovered.
Staring a UAV right in the eye – the surveillance payload of the MCV’s UAV.
A face underwater – the surveillance module of the mine-hunting ROV used by the MCMVs.
A welcome provided into one of the tents.
Inside the Mission and Capability Tent.
The second tent is the Experience Tent which provides an opportunity to go on board on a rope ladder and fire a gun which shoot paintball pellets at targets. Once inside, visitors also get to see a shipboard surgical team in action in a mock-up of a state-of-the-art mobile surgical theatre which some of the larger vessels can be fitted out with. Another mock-up is that of the inside of a submarine where not only is there an opportunity to have a feel of what the inside of one is like, there is also a chance to hear first-hand of what living in the confines of one is like from one of an exclusive class of naval servicemen – a submariner.
A mock-up of a surgical theatre inside the Experience Tent.
A very real looking surgical procedure demonstrated by the surgical team.
If all that isn’t enough to occupy the visitor, there is also a “Family and Fun” Tent where game stalls and video simulators can be found. The little ones can also look forward to have their photos taken in uniform as well as be entertained by roving buskers, and get their hands on balloons and souvenirs at the Navy Open House.
Visitors will have a chance to take aim and fire.
The Navy Open House will be held on 18 and 19 May 2013 at Changi Naval Base. To get there, visitors will need to hop onto a shuttle bus from Singapore Expo which will run from 8 am to 4.30 pm on 18 May and from 8.30 am to 4.30 pm on 19 May. For more information do visit the Navy Open House website http://www.mindef.gov.sg/navyopenhouse/ and the Navy Open House Facebook page https://www.facebook.com/singaporenavy.
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It was on the moon that three young girls from Kampong Tanjung found themselves on at the end of an eventful fasting month of Ramadan. That Ramadan was one audiences are taken on an adventure through, as three best friends, reunite on the eve of Aidilfitri, in the improbable setting of a hospital room, look back at their friendship and reminisce about that Ramadan 30 years before.
The friends are Chot who is in a coma, Pungut who is the victim of an plane crash and Salmiah who is in a broken marriage who feature in a return of a play in Malay which received much acclaim during its debut run by Teater Kami in 1995. The play in taking audiences back to the childhood of the three friends also revisits the memories that the playwright and director, Aidli ‘Alin’ Mosbit, has of growing up in the long lost coastal village of Kampong Tanjong Irau in the Sembawang area of Singapore.
The journey the friends take through that fateful Ramadan, is one which also looks at the innocence and carefree days of childhood – in a rather amusing way, and one which is guaranteed to have the audience in stitches through the antics of the three as they relive their many moments of childhood mischief through that Ramadan at the end of which they embark on their flight to the moon on the back of a “rocket” – the rakit (Malay for “raft”) on which the three often find themselves on.
The play does also examine life’s realities with a tinge of sadness. The three lose touch as they continue journey into adulthood and are never able to find the opportunity to celebrate Hari Raya together, meeting in the hospital room where Chot lies in a coma.
Fun, amusing, and light-hearted, the play which does have English surtitles, is certainly one and a half hours well spent. It is one which I thoroughly enjoyed – not just for the laughs but for the opportunity to be taken back to a way of life which doesn’t exist anymore.
…dan tiga dara terbang ke bulan is presented by Panggung Arts in collaboration with Esplanade – Theatres on the Bay as part of The Studios. Two more performances of it will be held today at 3 pm and 8 pm at the Esplanade Theatre Studio. Tickets are priced at S$25.
About …dan tiga dara terbang ke bulan
…dan tiga dara terbang ke bulan (… and three virgins fly to the moon) is an acclaimed play returning to the Singapore stage after 18 years since it was first put up by Teater Kami in 1995. This new rendition will be helmed once again by director and playwright Aidli Mosbit, who was one of the artists who devised the original production, and will mark her return to directing. The story involves three women – one in a coma, another troubled by a broken marriage and a third who died in a plane crash – who are best friends and got together one night, by chance, to reminisce and celebrate 30 years of friendship. It will also feature a brand new cast consisting of Siti Khalijah Zainal, Shida Mahadi and Nur Khairiyah Ramli.
Images used in this post courtesy of Mr Delvin Lee of Esplanade.
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