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Stumbling upon a Tiger’s lair …

2015 March 3
by Jerome Lim

The last tiger in Singapore may have roamed the island some eight decades ago. It does however appear that the island’s secondary forests still conceal a few tigers from a less distant past. I stumbled upon one, hidden in a lair that lies under a forested slope in the south of Singapore.

The entrance to the tiger's lair. The entrance to the tiger’s lair.

The “lair” in question is a bunker that seems to have been built before WWII. Red bricks reinforce its tunnel-like structure, a common feature among prewar bunkers. The bunker’s small entrance leads into a small passageway, which in turn opens out into a lower room on the right.

Not quiet a light at the end of the tunnel ... Not quite a light at the end of the tunnel … it is in this room that I found the crate.

The dust-covered wooden box appears to have been left undisturbed for a number of years. There’s a large Tiger logo printed on one side.

JeromeLim-0048Opening the crate.

The contents of the crate seem intriguing. Among them are a number of newspaper clippings and photographs, a Paul Cheong vinyl record, as well as a Kodak Brownie camera of perhaps 1950s/1960s vintage. These provide clues as to the crate’s age.

A first look into the crate. A first look into the crate.

A chain with a shackle, resembling something out of the prisons of old, is one the crate’s most disturbing contents. Less disturbing is a Tiger Beer bottle and an old Tiger Beer can. Both seem rather old. The can is of steel and not of the aluminum variety that is used today.

A close-up of the undisturbed contents. A close-up of the undisturbed contents.

A close-up of the undisturbed contents. A close-up of the undisturbed contents.

The crate also contains what appears to be a nameplate with the name “Chu Beng Huat” and the number “21509”. Who Chu Beng Huat may have been, and what happened to him are a mystery.

A close-up of the undisturbed contents. A close-up of the undisturbed contents.

It’s hard to say where the crate came from, or who put it there. Perhaps it was abandoned or left by mistake. I am not sure of the crate’s origins or where the crate came from and some further investigation would be needed.

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I am not really fond of putting videos up, especially when I can be seen in them, but I have included one that one of my jalan-jalan kaki took that would provide an appreciation of the “lair” and what can be found in it:

http://www.youtube.com/watch?v=n3nyZwehroE


The author also blogs on The Long and Winding Road.

Digging the Empress up in search of the Singapura of old

2015 February 14

Just six months or so after the dust seemed to have settled on Empress Place with completion of a four-year long refurbishment of the now almost too clean looking Victoria Theatre and Concert Hall, the dust levels seem to be rising again. Since 2 February, a huge hole has appeared in the shadow old Vic, one that is being dug so as to find pieces of our buried past.

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The archaeological excavation, the largest ever undertaken in Singapore, is organised by the National Heritage Board (NHB) with the support of the Urban Redevelopment Authority (URA) as part of an effort to commemorate 31 years of archaeology in Singapore.

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The dig, right in a place that when I first came to know it was a car park, has unearthed artefacts that are thought to be highly significant that could possible date as far back as the 14th century. The finds in a previously archaeologically unexplored site, include pieces of porcelain and clay figurines that are thought to originate from as far away as China and  help provide an understanding of a Singapura that seemed to have been at the crossroads even before the British made it so.

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The author also blogs on The Long and Winding Road.

All aboard the RSS Endurance

2015 February 12
by Jerome Lim

There is no better way of getting acquainted with some of what goes on on a naval ship than to have a first hand view of its operations. I got a chance to do just that on Monday, when at the invitation of the Republic of Singapore Navy (RSN), I found myself out on the RSN’s largest vessel, the RSS Endurance for a voyage out to Raffles Reserved Anchorage for a look at her helicopter embarkation operations.

A Super Puma taking off at the Raffles Reserved Anchorage. Pulau Senang can be seen in the background. A Super Puma taking off from the RSS Endurance at the Raffles Reserved Anchorage. Pulau Senang can be seen in the background.

The RSS Endurance at berth at Changi Naval Base. The RSS Endurance at berth at Changi Naval Base.

The helo-ops conducted to embark the Super Puma helicopter, was in anticipation of this weekend’s SAF50 @Vivo event. The event launches the Singapore Armed Forces’ (SAF) year-long celebration of 50 years of its formation and will see the first of class 140 metre long Landing Ship Tank (LST) berth at the Vivo City Promenade to allow the lucky members of the public (who managed to get their hands on the highly sought after tickets) with a rare opportunity to have a look at the most versatile asset in the RSN’s fleet.

A view of the breakwater at Changi Naval Base with a glimpse of southeastern Malaysia in the background. A view of the breakwater at Changi Naval Base with a glimpse of southeastern Malaysia in the background.

I always enjoy a trip out at sea, something I have been doing a lot of of late. Going out on the RSS Endurance was an added bonus for me, not just for the chance to see and photograph the navy in operation,  but also because it was a homecoming of sorts for me as had some involvement in her design during my days in the shipyard in which she was built – the last time I was on board was during trials that were conducted on her.

A view over the bow of the RSS Endurance towards the vastness of the sea. A view over the bow of the RSS Endurance towards the vastness of the sea.

Besides taking those on the voyage to some of the operational areas on board, the visit also allowed us to see one of the RSS Endurance’s most important rooms, especially in the context of the Singaporean who tends to live to eat more than to eat to live – the galley. The galley, we learnt provides not just sustenance, but the cooks who the crew are often on personal terms with, work even in the nastiest of weather to help keep the morale up in serving up meals that includes many local favourites. Things did get a bit steamy during the visit to the galley, and we were quickly ushered to the cold room to cool off before settling down to a delicious lunch of nasi lemak that the galley specially prepared for our visit.

Things got a bit steamy .... Things got a bit steamy ….

... so we had to cool off in the cold room. … so we had to cool off in the cold room.

Along with the opportunity to witness the helo ops (helicopter operations), one more thing we got to see was of the operations to embark the vessel’s Fast Craft Utility (FCU) into the floodable dock on the vessel’s well-deck. The ability to launch fast landing craft and deploy helicopters are among the amazing array of capabilities, the RSS Endurance and her sister ships are equipped with. While the LSTs are designed primarily to support troop and equipment deployment, the capabilities also extend the ships’ capabilities to supporting a range of peacetime missions from disaster relief, search and rescue, and protection of merchant shipping.

One of the key capabilities the RSS Endurance has is being able to deploy fast landing craft through a stern opening from her well deck. One of the key capabilities the RSS Endurance has is being able to deploy fast landing craft, Fast Craft Utility or FCU, through a stern opening from her well deck.

Designed and built by ST Marine, the Endurance class of LSTs proved to be particularly useful during the post 2004 Boxing Day tsunami relief efforts in Aceh. The fast landing craft launched from the vessels could be used to maximum advantage in reaching coastal locations that had been cut off in the wake of the disaster.

The city's skyline as seen from the Singapore Strait. Enroute to Raffles Reserved Anchorage – the city’s skyline as seen from the Singapore Strait.

For those who missed the chance to win tickets to view this valuable asset in RSN’s fleet  through the online ballot, all is not lost. There would still be a chance to obtain tickets through a on-site draw. Balloting times slots for these are at 3 pm to 6 pm on Thursday and Friday; 9 am to 11 am, 12.30 pm to 2.30 pm, 4 pm to 6 pm on Saturday; and 9 am to 12 pm and 3 pm to 6 pm on Sunday. The winners of the ballot have the opportunity to have a glance at the Bridge, Flight Deck on which a Super Puma is tied down, and the steamy Galley. There is also the chance to ride the waves on one of the RSN’s Fast Craft Utility landing craft.

Smaller fast landing craft for personnel (FCEP - Fast Craft Equipment and Personnel) can be deployed over the shipside. Smaller fast landing craft for personnel (FCEP – Fast Craft Equipment and Personnel) can be deployed over the shipside.

The cluster of islands at which Raffles first made contact with Singapore, with the Singapore he helped create in the background. St. John's Island is on the left with Lazarus Island and Kusu next to it. Enroute to Raffles Reserved Anchorage – a view of the cluster of islands at which Raffles first made contact with Singapore, with the Singapore he helped create in the background. St. John’s Island is on the left with Lazarus Island and Kusu next to it.

The SAF50@Vivo event runs from 12 to 15 February 2015.  Besides the RSS Endurance, the capabilities of the other SAF’s services are also on display. Highlights of the event include a SAF50 launch and Total Defence Commemoration on 12 February at 5pm and a Weapons Presentation Ceremony on 15 February at 6pm, which members of the public can view from the Vivo City Level 3 Viewing Gallery. There are also a host of activities and daily performances. More information on the event and SAF50 can be found at www.saf50years.sg.

The helideck has two landing spots. A Super Puma embarked for the SAF50 @ Vivo event is seen here. The helideck has two landing spots. A Super Puma embarked for the SAF50 @ Vivo event is seen here.

A FCU being manoeuvred for entry into the well deck. A FCU being manoeuvred for entry into the well deck at Raffles Reserved Anchorage.


More photographs

Helo Ops

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Well Deck Ops

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The Galley

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The Bridge

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The author also blogs on The Long and Winding Road.

When the lights go out

2015 February 11

Last evening wasn’t what I would call a typical Monday evening. In some rather untypical company, after the lights went off, I stood waiting for a box containing a 15th century lady to be opened, showing little of the trepidation my irrational fears of the dark would typically have invoked; the promise the evening held was an unveiling of the lady’s exquisite beauty for her debut in Singapore.

A Portrait of a Lady, attributed to Ambrogio de Predis, an associate of Leonardo da Vinci. A Portrait of a Lady, attributed to Ambrogio de Predis, an associate of Leonardo da Vinci.

Delicate but yet well preserved, the beauty of the lady of nobility, is one that is beautifully captured by an associate of Leonardo da Vinci,  Ambrogio de Predis. The portrait, one of several masterpieces from the da Vinci school that is making an appearance in Marina Bay Sands’ ArtScience Museum, as part of the Da Vinci: Shaping the Future exhibition that runs until May 2015. While the highlight of the exhibition is perhaps the pages out of da Vinci’s Codex Atlanticus from Milan’s Biblioteca Ambrosiana’s collection, the masterpieces the Ambrosiana has brought over, also deserve much attention.

Unscrewing the lid on the outer box in which the painting is packed for shipment. Paintings are packed into two boxes. Unscrewing the lid on the outer box in which the painting is packed for shipment. Paintings are packed into two boxes.

The rather uninspiringly named “Portrait of a Lady” that had until the 19th century been attributed to da Vinci himself, goes on display for the first time from today. It is part of a changeover of inspiring art work and pages of the Codex at the midway point of the exhibition, made necessary by a three-month limit on exposing the original works, following which they have to be returned to the dark.

Lifting the lid on the inner box. Lifting the lid on the inner box.

For a opportunity to celebrate beauty as expressed  in oil and to be awed by the genius of da Vinci contained in the pages of the Codex Atlanticus, do visit this wonderful look at what the museum refers to as history’s foremost ArtScientist, Leonardo da Vinci. The exhibition interestingly, also sees models of da Vinci’s innovative ideas on display.  The exhibition ends in May 2015. For more information and ticketing details, do visit the ArtScience Museum’s website.

Removing the artwork, which is wrapped in acid-free paper. Removing the artwork, which is wrapped in acid-free paper.

Unwrapping the painting. Unwrapping the painting.

The painting is examined for damage after being unpacked by an expert from Pinacoteca Ambrosiana. A report of an examination prior to packing is used as reference. The painting is examined for damage after being unpacked by an expert from Biblioteca Ambrosiana. A report of an examination prior to packing is used as reference.

Examining the details. Examining the details.

Once the expert is satisfied, the art work can be displayed. Once the expert is satisfied, the art work can be displayed.

The painting, seen with one of the paintings that has been taken down for storage, Saiai's St. John the Baptist. The painting, seen with one of the paintings that has been taken down for storage, Saiai’s St. John the Baptist.


More on the changeover (Art Science Museum Press Release):

Singapore (11 February 2015) – ArtScience Museum today unveiled its eagerly-anticipated renewal of the original masterpieces showcased at Da Vinci: Shaping the Future, as the exhibition approaches the second half of its run. The refreshed displays include a new collection of 13 original pages of the Codex Atlanticus, da Vinci’s largest notebook, and three new paintings from the School of da Vinci.

As part of the renewed collection, visitors will have the rare opportunity to view a neverbefore-seen original Codex Atlanticus page, Drawings of Two Compasses. This folio features two drawings of intricately decorated compasses, which were important tools employed by da Vinci to determine the proportions of his machines and to mark designs on paper before he applied ink to his drawings.

Another beautifully illustrated page in the renewed collection is the Giant Crossbow, one of da Vinci’s most striking and celebrated folios from the Codex Atlanticus. Drawn with elaborate details and technical skill, the folio includes precise measurements of the machine’s components and a figure atop the machine to provide an indication of the scale.

The Giant Crossbow is a prime example of how da Vinci used his artistic skills to illustrate complex technical concepts.

“More than any other figure in history, Leonardo da Vinci represents the unity of art and science. Therefore, it is a great privilege to be able to bring a new collection of da Vinci’s masterpieces to ArtScience Museum, as part of this groundbreaking exhibition. What is particularly exciting for us is that one of the pages from the Codex Atlanticus, which arrived from Italy this week, is being shown in public for the very first time. We are grateful to have been able to work so closely with Veneranda Biblioteca Ambrosiana to realise an exhibition that vividly illustrates how da Vinci’s genius, creativity, and systems thinking continue to inspire and shape the world we live in now,” said Ms. Honor Harger, executive director of ArtScience Museum.

Dr Irene Lee, co-curator, ArtCORP Pte Ltd, adds, “It has been an honour to be a part of this project and to bring the original works by da Vinci from Milan to Singapore. Singapore, like da Vinci, is very forward-thinking, and it is only fitting to have these masterpieces displayed in this innovative city.”

One of the new original paintings that will be on display is the visually arresting Portrait of a Lady. Donated to the Veneranda Biblioteca Ambrosiana in 1618, the painting was attributed to da Vinci until the 19th century. While the references to da Vinci are evident, such as the knotted golden braid on the lady’s garment, the mesmeric painting remains elusive as both its subject and author have yet to be confirmed despite generations of study by critics and scholars. While some leading scholars firmly attribute the painting to da Vinci and others favour a more prudent attribution, these controversies have never debased the work’s appeal, only increasing its mystery.

Other new paintings from the School of da Vinci that will be showcased are Christ Child with the Lamb by Bernardino Luini, the most famous Milanese painter in the early 16th century, and Adoration of the Child with Saint Roch by Giampietrino.


The author also blogs on The Long and Winding Road.

The magazine under Talbot’s Hill

2015 February 9

An area of Singapore that still has much history buried under it is the area where the former British Naval Base was. Under parts of the former base, which covered an area stretching from the Causeway in Woodlands to what is today Sembawang Park, lies several underground structures, one of which is a the so-called Attap Valley bunker that has recently been brought to light.

The entrance to the Attap Valley bunker. The entrance to the Attap Valley bunker below Talbot’s Hill.

Worshipping a new religion? Participants on a heritage tour to the site examining part of a ventilation system. Worshipping a new religion? Participants on a heritage tour to the site examining part of a ventilation system.

The bunker, opened to the public for the first time on Saturday, is the last surviving structure of an armament depot constructed by the British within the huge Naval Base in the Talbot’s Hill and Attap Valley area. A ammunition and armament storage magazine, specifically Magazine No. 4, it was one of seven other bomb-proof magazines that were built into Talbot’s Hill by the British before 1942.

An extract of a 1945 map of the Naval Base showing the area and the layout of the ammunition depot, including the seven magazines under Talbot's Hill. An extract of a 1945 map of the Naval Base showing the area and the layout of the ammunition depot, including the seven magazines under Talbot’s Hill (click to enlarge).

The National Heritage Board (NHB), which has been studying the site since April 2014, has also established with the help of a 1945 map of the Naval Base, that the magazines were part of a network of eighteen bunkers, warehouses and workshops spread over the Attap Valley site, that formed the Naval Base Armament Depot.

The tour group being led into the bunker. The tour group being led into the bunker.

The passage to the storage area. The passage to the storage area.

Evidence points to the magazine, which is the size of two 5-room HDB flats, being used by the Japanese during the occupation – a cache of Japanese weapons and ammunition was found by MINDEF when they used the site for the Sembawang Ammunition Depot.

The storage area where  corrugated ceiling reinforcements can be seen along with a gantry crane. The storage area where corrugated ceiling reinforcements can be seen along with a gantry crane.

What appears to be a light fitting from the time of the bunker's construction. What appears to be a light fitting from the time of the bunker’s construction mounted on the ceiling.

According to NHB, part of the floor of the bunker, now a mess of mud and water, would have had rail tracks running over them to allow the ammunition to be moved in and out, accounting for the rusty colour of the mud and water in the bunker. While there is nothing left of the tracks to be found, there are several fixtures and fittings that might have originally been there at the time of its completion. This includes vents from an all important ventilation system, light fixtures, and pipes. A gantry crane, completed with a Safe Working Load (SWL) rating sign, can be seen in the inner chamber where the ammunition would have been stored. Access into the inner chamber is via a curved passageway designed so as explosions could be contained.

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Talbot’s Hill and the surviving magazine under it now lies well within a fenced up area of land, which was returned to the State by  MINDEF when the depot was decommissioned in 2002. Access to it is only via the NHB tours, being organised as part of a Battle of Singapore commemoration that coincides with the 73 anniversary of the Fall of Singapore and also the 70 anniversary of the liberation in September 1945. More information on this, including the Case Files from the Singapore War Crimes Tribunal Exhibition scheduled to open next week at the National Museum of Singapore, can be found at the NHB website.

More photographs of the bunker and its surroundings

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The author also blogs on The Long and Winding Road.

Still in the dark, where the darkness began this Sunday, 73 years ago

2015 February 8

In the darkness of a Sunday night, 73 years ago today, the end was to begin for Singapore. Just after 8 pm on 8 February 1942, the first wave of landings were made by Japanese troops  along the poorly defended and mangrove lined northwest coastline of the island.

In the dark: WWII landing site at Sarimbun Beach today with its fence to prevent a new invasion of  illegal immigrants and goods. In the dark: WWII landing site at Sarimbun Beach today with its fence to prevent a new invasion of illegal immigrants and goods.

Defended by the ill prepared and poorly equipped Australian Imperial Forces’ 22nd Brigade, who were spread out thinly over a long stretch of the coastline, coupled with Percival’s misjudgement in focusing the defence of the island in its east, the area, the mangroves proved to be no barrier and the coast was very quickly overrun. The defence of Singapore was to fail miserably just a week later, a defeat that was to plunge Singapore in more than three years of darkness as the light of the Japanese Empire’s south.

“Sarimbun battle” by Unknown; original uploader was Grant65 at en.wikipedia. – Lionel Wigmore (1957) “Defence of Western Area” in Australia in the War of 1939–1945: Volume IV – The Japanese Thrust (PDF), Canberra: Australian War Memorial, pp. 310 Transferred from en.wikipedia by Gorbi. Licensed under Public Domain via Wikimedia Commons.

Much of the area today is still shrouded in darkness. Cut-off from the rest of Singapore by its relative inaccessibility and isolation – much of it is off limits as a large part of it lies within the Live Firing Area (and even where it isn’t, there is a fence intended to keep the new invasion of illegal immigrants and goods out that also cuts us off from our seas), it is an area seemingly forgotten even if there are markers in place to commemorate an event that should remain in the minds of all of us in Singapore.

A page from the Australian Imperial Forces 2/20 Battalion unit diary. The 2/20 Battalion was defending the sector where Sarimbun Beach is at the time of the landings.  A page from the Australian Imperial Forces 2/20 Battalion unit diary. The 2/20 Battalion was defending the sector where Sarimbun Beach is at the time of the landings.

Japanese forces landing on Singapore on the night of 8 February 1942 (Australian War Memorial – Copyright Expired).


Related:

Japanese footage from the Romano Archives, 1942 The Taking of Singapore, which includes some landing scenes:

http://www.youtube.com/watch?v=s1u-GdEyfvQ

Another landing site, The Pier: A lost world in Lim Chu Kang


The author also blogs on The Long and Winding Road.

What colours the full moon of Thai

2015 February 4

Colouring the full moon during the Tamil month of Thai, which fell yesterday,  is the Hindu festival of Thaipusam.

The festival is celebrated with much fervour by the southern Indian communities of Singapore and in the Peninsula and is one of the last religious festivals in Singapore that brings crowds, colour, and what seems very much in evidence these days, a massive police presence and snap happy locals and tourists, to the streets.

More on the festival, including photographs taken at previous Thaipusam celebrations, can be found in the following posts:

Vel, Vel, Vadivel: Thaipusam in Singapore (2010)
Sights Sans Sounds of Thaipusam in Singapore (2011)
Thaipusam at the Sri Srinivasa Perumal Templ (2012)
An Annual Walk of Faith (2013)
Faces of Thaipusam 2014 (2014)


Photographs from the 2015 Thaipusam celebrations at the Sri Srinivasa Perumal Temple

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Strange horizons: the sea of sargassum and the sandbar

2015 January 29

The landscape of our southern seas, once of tiny islands, reefs and sandbars within which sea nomads and pirates took refuge, is one that has drastically been altered. Totems of the new-age now mark the landscape, particularly in the southwest, a landscape that in a matter of time would only be one of the sea’s lost innocence.

The totems of the new age seen on Pulau Ular, from Beting Pempang, with the silhouettes of trees on Pulau Hantu in the foreground. Pulau Ular is an island that is now part of a larger landmass that has it joined it to Pulau Busing to its west and Pulau Bukom Kechil to its east. The totems of the new age seen on Pulau Ular, from Beting Pempang, with the silhouettes of trees on Pulau Hantu in the foreground. Pulau Ular is an island that is now part of a larger landmass that has it joined it to Pulau Busing to its west and Pulau Bukom Kechil to its east.

Thankfully, not all innocence has been lost and in the shadows of the grey emblems of our industrial advance, we still find some of the joys of our shallow seas, joys that perhaps offer us some hope.

Navigation chart showing locations of patch reefs and sandbars south of the Bukom cluster. Navigation chart showing locations of patch reefs and sandbars south of the Bukom cluster.

The seascape in the area of the Bukom group of islands and Pulau Hantu, is one we do still find joy in. It is where a cluster of submerged reef and sandbars, in being exposed during the lowest of tides, reveal a world now hard to imagine, rich in life we might never have thought could be there. The reefs also offer us a glimpse at a landscape that is perhaps as alien in appearance as it is bizarre - especially in juxtaposing it against a backdrop painted by the fast encroaching industrial world.

A sea of sargassum. The view across Terumbu Hantu towards Pulau Busing, which is now part of a larger land mass that joins Busing to Pulau Ular and Pulau Bukom Kechil.. A sea of sargassum. The view across Terumbu Hantu towards Pulau Busing.

One particularly outlandish sight is that of a yellowish green sea, under which one of the submerged reefs, Terumbu Hantu, just west of the island of Pulau Hantu. While it probably cannot be described as a pretty sight, especially with the high chance of stepping on a venomous creature such as a stone fish when treading through what is a seasonal sea of sargassum, it does have a hard to describe appeal that does has one stopping to admire it.

A sea of sand ... the view across a sandbar, Beting Pempang, towards a Pulau Busing and Pulau Ular now dominated by a huge petrochemical complex. A sea of sand … the view across a sandbar, Beting Pempang, towards a Pulau Busing and Pulau Ular.

Another view across Beting Pempang. Another view across Beting Pempang.

Green green grass of the sea. Green green grass of the sea.

Across from the yellow-green sea, a sandbar, Beting Pempang, proved a little more inviting. The views across it, while nothing as strange as the sargassum sea, did not disappoint. Without the cover its eastern neighbour had, it offered an opportunity to find more joy in, joy in the form of the amazing lifeforms many of us who cut ourselves off from the sea, would never imagine could exist.

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A flat worm. A flat worm.

A spider conch. A spider conch.

A brittle star. A brittle star.

A swimming file clam. A swimming file clam.

An eel. An eel.

In a Singapore that has little sentiment for such little joys, the future does not seem bright for the reefs in this cluster. The 2013 Land Use Plan identifies it as an area in which offshore reclamation is possible in a future when we may need ourselves to spill into the sea to gain breathing space, buried under land that will extend the shores of the Bukom group southward and westward - not a pretty thought. As long as its still is there however, there can be hope.

Possible future reclamation poses a threat to the future of the reefs (and the islands). Possible future reclamation identified by the 2013 Land Use Plan sees a bleak future for the reefs south of Bukom.

The sky at twilight from Beting Pempang, coloured by the advancing petrochemical plants that now dominate much of the southwestern shores. The sky at twilight from Beting Pempang, coloured by the advancing petrochemical plants that now dominate much of the southwestern shores.

More at Ria Tan’s Wild Shores of Singapore: Terumbu Hantu and Terumbu Pempang Kechil.


The author also blogs on The Long and Winding Road.

Saving the bees

2015 January 25

I was recently alerted to an initiative by a group of busybodies, perhaps more aptly bee-zy bodies, the aim of which is to have us in Singapore, who feel safe from bees only when their flight paths cross ours in the manner of Rimsky-Korsakov’s musical interpretation, to show more love to the much maligned and highly misunderstood insects.

Hives! First thing to do is to identify the bee species!

Bees form an essential part of our ecology. While many see them as a dangerous nuisance, especially when their high rise apartments turn up next to our own, they belong to the largest group of insect pollinators here in Singapore and play an much needed role in keeping our city in a garden, in a garden.

Setting up.

The group, Pollen Nation, see themselves as the “champion of Urban Bee-causes”. Taking a proactive role in saving the bees is what they strive to do, an important part of which is in offering a “BeeVacuate” service that will allow bee-hives when they do turn up in places we are less than comfortable seeing them in, to be removed without killing the bees.

The “evacuated” bees.

Bee-hive removal, as is conventionally carried out in Singapore, involves the use of pesticides. This not only kills the bees, including the queen bee, worker bees and the brood, the practice also destroys the honeycomb, which becomes unusable through pesticide contamination. While there are no statistics currently available to tell us how much the bee population in Singapore – already under pressure due to the rapid urbanisation, is in decline, continuing with this practice, will certainly have an impact on the population over the longer term.

Hive Assembly.

Pollen Nation, who count amongst their ranks professionals who work with insects, including one with two decades of experience, offers a method of bee-hive removal that does not kill the bees. A BeeVacuator machine, which they have developed is used to suck bees up into a containment unit without causing harm. This also allows beehives to be harvested for re-use in urban apiaries, which Pollen Nation hopes to see established in farming areas of Singapore, to which the bees can be transported. The intention is that only the stingless bees are kept and encouraged to make honey. The more aggressive species would be “BeeVacuated” for release into forested areas where they will carry less of a threat to the general public.

Pollen Nation sees that as many as 2 to 3 beehives would require removal across Singapore on a daily basis and hope this would keep them “BeeZy” in the near future. To date two such removals have been carried out. Charges for bee-hive removal services vary, depending on the height at which the beehive is at, and the species of bee involved. For the more aggressive species, the basic BeeVacuation service will cost in the region of $300, while Pollen Nation may consider removing stingless bees, which can be re-hived, for free.

Another important area in which Pollen Nation hopes to do is in public education, to raise awareness amonsgt members of the public on the importance of bees and how we can be more accommodating of the insects. Still in their infancy, Pollen Nation has begun by engaging the public through flyers, online, and through public talks - the first of which was conducted at the Kranji Countryside Farmers’ Market over the weekend.  They also hope to work with the respective agencies as well with conservation and environmental groups. To keep up with what Pollen Nation is doing, do visit their Facebook Page. Pollen Nation can be contacted via email. BeeVacuation services can be arranged through their 24 hour hotline at 90093578.


The author also blogs on The Long and Winding Road.

A quick look at Art Stage Singapore 2015

2015 January 23

I love it when Art Stage Singapore comes around every January. Not only does the fair provide the opportunity to get in touch with the contemporary art scene, but it also provides hours of visual stimulation to break the monotony of the start of the year. And, from the glance I had at this year’s fair, it certainly is no different.

JeromeLim-7251

Hwan Kwon Yi, Traffic Jam, Gana Art. Hwan Kwon Yi, Traffic Jam, Gana Art.

As Southeast Asia’s flagship art fair, Art Stage Singapore, the fifth edition of which opens its doors at Marina Bay Sands Expo and Convention Centre today, lends its support to the regional art scene. This year, a curated Southeast Asia platform has the works of 32 emerging artists from the region featured. In all, over 200 galleries from 29 countries – 75 percent of which are from the Asia-Pacific, are represented at this year’s fair, making it a must-visit exhibition for both the collectors and curious alike.

Kiatanan Iamchan, Oh, My Baby, Number1Gallery.  Kiatanan Iamchan, Oh, My Baby, Number1Gallery.

This year also sees video art, which is fast gaining prominence as a collectible art medium, receive an airing through Video Stage. Intended as a regular feature of the annual fair, Video Stage for Art Stage Singapore 2015 will take a look at the medium over the years, through 73 videos.

Art Stage Singapore 2015. Art Stage Singapore 2015.

Also to look out for, are programmes being held as part of the fair including ARTnews Talk Series talks with a focus on Southeast Asia. There will also be talks given by various artists from the Southeast Asian platform, as well as performances and tours. More information these programmes can be found in the fair guide. Art Stage Singapore 2015 runs from 22 to 25 January 2015. More information on the fair is available at http://www.artstagesingapore.com.

JeromeLim-7242

A scalp raising experience. A scalp raising experience.

JeromeLim-7254

JeromeLim-7249


The author also blogs on The Long and Winding Road.



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